Explore F.Scotts Fitzgeralds presentation of class and wealth in The Great Gatsby and The Diamond as Big as the Ritz

Wealth and companionable class permeate much of F. Scott Fitzgeralds The extensive Gatsby and The baseball field as fine-looking as the Ritz. Set during the roaring twenties when many tribe had freshly accumulated sufficientes after the war, both texts seek to explore and blackguard the complexities of wealthiness and social class. They particularly focus on how outlying(prenominal) race may go to fit into a social class or protect their fortune. Despite The Diamond as considerable as the Ritz be set within the fantasy genre, elements of Fitzgeralds own life run as undercurrents d singleout both texts.Fitzgeralds life features heavily in the texts, be it through the characterisation of Nick and Gatsby or the underlying references to his personal experiences. The experiences of the main protagonists gradation parallels with Fitzgeralds interactions with the wealthy, both at Princeton and colossal Neck and in his relationship with Zelda. The Diamond as Big as the Ritz satirises the exuberant wealth experienced by Fitzgerald when visiting a Princeton classmate. The Great Gatsby on the other hand, is more(prenominal) reliant on aspects of Fitzgeralds own life which forms the emotional foundation of the novel.Gatsbys relationship with Daisy mirrors Fitzgeralds peeved relationship with Zelda who much exchangeable Daisy, was regarded as being incredibly materialistic. Gatsby fecal matter therefore be seen as a representing Fitzgeralds pursuit of sufficient wealth to accept an aristocratic love interest. He does this to the detriment of his artistic fairness which he compromised by writing wretched stories to fund Zeldas opulent lifestyle. This is reverberate by Gatsby compromising his integrity and personal worth by bootleg and lying about being the son of some wealthy mint in the Middle- wolfram, in order to please Daisy and hopefully gain acceptance.He fails in both these aras. In integrating elements of his personal life, Fitzgerald may b e implying that loving some peerless of a different social class comes with compromises and that one may lose sight of who they atomic number 18 in the process. The Great Gatsby by virtue of its representations of wealth and class can be seen as a running criticism of the American inhalation and Americas obsession with wealth amidst the voluptuous culture of the 1920s. The American fancy had originally been founded on the notion that anyone, regardless of their background could achieve anything in the land of opportunity if they worked hard enough.Fitzgerald however, believed that the American reverie was just an illusion and that it had been corrupted by the of pursuit wealth. He consistently challenged the whim of the achievability of the American Dream in The Great Gatsby. The geographical motifs of eastern United States and West Egg embody just how unachievable the American Dream is. This geographical separation may symbolise the hypothetical and literal divides among t he nouveau riche who reside in West Egg and aristocrats of eastern United States egg, whence amplylighting how they will forever lead separate existences.This gives the impression of the American Dream being highly flawed, as having acquired great wealth does not retell into acceptance for the people of West Egg, who are seen as the social subordinates of the aristocrats of einsteinium Egg. This is provided established by the behaviour of the guests at Gatsbys party. The people of West Egg lack the refinement, grace and manners of their aristocratic counterparts for whom these traits form the basics of their social class. This consequently demonstrates how East and West Egg are marooned by more than geographical distance but also by simple things such as social etiquette and fashion choices.Jordans party (who consist of fellow East Eggers) are spread around a send back on the outside of the garden carefully on guard, emphasising that even within the home(a) confines of the party the divide is still apparent and the people of East Egg are reluctant to mix. The corruption of the American Dream is further explored through the main protagonists initial awe and delight (early on in the text) at the great wealth they encounter. Fitzgerald employs a myriad of symbolisms, metaphors and similes to depict the write out luxury and over exuberance of the aristocrats within both texts.Through these devices he is able to satirise the materialistic world the aristocrats inhabit, making it appear outlandish. In The Diamond as Big as the Ritz John Unger, a male child from Hades with meager standards of living is amused and delighted, by the exalted lifestyle Percy and his family lead. When he arrives with Percy they are driven in what Percy dismissively calls a buggy. However, the reader can generalise from Johns reaction at the thousand minute tapestries of silk, woven with jewels that the vehicle is far from an old buggy.In this instance Johns amazement may ha ve been industrious to problem Percys dismissive attitude towards wealth as he refers to the luxurious car as old junk. Fitzgerald may have used this paradox high spot the hollow spirit of the wealthy, whose lives are fueled by consumerism to the finis that they place little value to the possessions everyone else would deem as extraordinary. In The Great Gatsby, Nick is also amazed by the wealth he experiences at the Buchanan home. His first interaction with Daisy and Jordon has a dream like quality to it.When he meets the women they are dressed in white, their dresses rippling and fluttering a short flight around the house this gives the women an angelic quality which hints at how Nick is initially drawn in by their great wealth. This surreal and dream like quality of wealth is also reflected in The Diamond as Big as the Ritz with the depiction of the girl who is dressed like Titania. In the play, A Midsummer Nights Dream, Titania is the queen of the fairies which Fitzgerald m ay have used to imply to the magical and mystifying qualities of wealth present within both texts.Conversely, the amazement the main protagonists initially showcased soon dissipates when they discover the corruptive nature of wealth and the wealthy. Despite the people of East Egg possessing an abundance of grace, elegance and examine (that comes with adhering to the norms of aristocratic decree) they lack compassion. The East Eggers are presented as little more than bullies who use their money to alleviate any concerns they have, irrespective of who they hurt in the process.This chastely corrupt nature of the rich is explored through the Buchanans in The Great Gatsby and the Washingtons in The Diamond as Big as the Ritz. The Buchanans are presented as careless people who smashed things up only to retreat back into their ample carelessness. Their lack of moral fiber is further emphasised when instead of attending Gatsbys funeral they move into a house far away. Fitzgerald may ha ve used the Buchanans as a moral didactic for the readers to illustrate how wealth can corrupt when one allows themself to become consumed by it.On the other hand, it could represent the unfair nature of capitalist societies whereby the wealthy upper-class can afford to pay for serenity of mind. This conflicts with Gatsby whom despite accumulating his wealth through criminality is kind and loving, keeping watch outside Daisys window to insure Tom does not hurt her, consequently illustrating that wealth solo does not corrupt but when coupled with high social condition it can have disastrous effects. Moreover, in both texts religion (which is supposed to strengthen ones moral compass) has been replaced by consumerism.Atrocious things are carried out in the name of wealth in the texts, including murder and imprisonment. These things are written off as a natural pre-requisite of success and expansion. here Fitzgerald argues that wealth can be its own prison blinding its pursuers, d ehumanizing them to the accomplishment that they devalue human life and assume that everyone can be bought. Fitzgerald satirizes the pixilated nature of the rich when Mr. Washington tries offering a bribe to God with a voice immersed in inextinguishable pride.Ross Posnock, a bolshie writer, praised Fitzgerald in his look for A New World, Material Without Being real for his presentation of the capitalist society in The Great Gatsby1. Posnock believed that Fitzgerald had captured the capitalist societys obsession with material wealth and how it leads to people being regarded as little more than object that can be acquired along with capital in order to boost ones social status. Gatsbys vast wardrobe is a heavy defensive wall consisting of thick silk and expensive dye which support the Marxist view of material possessions providing a barrier against hardship which the rich can hide behind.For Gatsby, and many others, material possessions help to protect their status in the same way the invisible cloak of Gatsbys army uniform had underground his lower class status when he first met Daisy. In general, the detrimental portrayal of consumerism in his work has made him very popular with Marxist writers. In conclusion, Fitzgerald uses The Great Gatsby and The Diamond as Big as Ritz to highlight the negative elements of wealth and class, whilst particularly emphasising that class roles will never be crossed.Both texts highlight the potential hazards of capitalist societies when one becomes consumed by materialism, placing greater importance on monetary fortune and status than the consequences of their actions. Although Fitzgerald presents both wealth and class in negative lights he reminds the reader that wealth alone does not give way to moral corruption hinting that it is wealth in conjunction with high social class that leads to the decaying of ones moral compass.